So he, a Polish conductor and musicologist of Ukrainian origin (a descendant of the victims of Operation Vistula), created this unique opportunity of acquainting with Ukrainian music.

We are trying to break this ice of absence with our festival”.

In a pre-concert commentary for one of the Ukrainian newspapers, Roman Rewakowicz, the organizer of the “Days”, said : “At the high cultural levels, such as activities of the theaters and philharmonics, Ukraine in Poland, unfortunately, can not be found. This September, the seventh “Days of Ukrainian Music in Warsaw” became the most significant event on the international music scene. We have already written about the primacy of Ukrainian Oksana Lyniv as a female conductor during the Bayreuth Festival have paid tribute to the American achievements of the Ukrainian violinist Myroslava Khomik.

This requires (country policy and funding, of course) passionary figures to suggest and promote music to performances outside of Ukraine. Only the most recent events of 2021, which took place within Ukraine, include the release of piano works by contemporary Ukrainian composers Sviatoslav Lunyov and Oleksiy Retynsky performed by Ukrainian pianist Antonii Baryshevsky on the independent label Golka Records CD-presentation “Bridges” by the Inso-Lviv orchestra with works of insufficiently known Antin Rudnytsky, Andriy Hnatyshyn and Vasyl Barvinsky Stefania Turkevych ’s great festival return with “Space Symphony”: after all, many iconic and well-known works of Ukrainian music from the time of Independence (read a survey here ) still have to be heard more than once so that their authors do not bear the eternal stigma of permanent premieres. Although the world has entered a new era with a bunch of dangers and restrictions, where people are increasingly moving away to the depths of the virtuality dimension, Ukrainian cultural diplomacy is moving towards pandemic barriers with consistent and positive ardour.

4.09 quiz opera music part 2